91% Frances Ha

All Critics (80) | Top Critics (31) | Fresh (73) | Rotten (7)

The dialogue and editing are zippy and generally charming, combining with the tart observations of 20-something culture to create a nice frisson.

A black-and-white salute to the French New Wave (the score is borrowed from Georges Delerue, composer of many a Truffaut and Godard film) that manages to be very much of this moment ...

The movie's a love letter to an actress and her character, but by the end you may feel like an intervention is more in order.

The obvious love of New York City echoes Woody Allen at his best. But "Frances Ha" is very much its own film, a story of life and love and messy rooms.

Baumbach ... makes the film a celebration of Gerwig's coltish, goofball appeal.

Late-blooming 20-somethings have never been so perfectly captured -- and Gerwig has never been more appealing -- than in this funny, tender, life-affirming movie.

Frances Ha is endearing, kind and, in many ways, Noah Baumbach's best movie to date.

It's a film that bears all of the zingy dialogue and sharp characterizations of Baumbach's other films ("The Squid and the Whale," "Greenberg") but with more of a generosity of spirit towards its characters.

Funny and touching, Frances Ha may very well be the most eloquent take yet on a generation in flux.

The light Frances Ha provides skittish moments of heartbreak and confusion on the humorous path to adulthood, but it sends a comforting message that our fate may use the same language as our dreams even if it doesn't tell the same story.

Easily Baumbach's warmest and most upbeat film to date.

Mostly the movie is the best showcase so far for Gerwig's brand of lovely klutziness (and)a contemporary everywoman appeal that's impossible to dismiss, making Frances' self-absorption easier to swallow and tasty, too.

One of the most appealing films of the year to date -- and it may well end up being the most appealing indie release of the entire year

This is a tough one, but I must recommend it, if you are at all inclined to witness creativity at its unconventional best.

"Frances Ha"? More like Frances Bah!

Gerwig dances the Millennial Limbo

...caters to the Gerwig persona while also sanding off the edges of Baumbach's usual bitterness.

"Frances Ha" is about the inevitability of adulthood; it can be postponed, but it can't be avoided.

[a] fresh-faced and spirited black and white comedy...

If Frances has a chance, there's hope for us all.

The near-incomparable Greta Gerwig gives Frances a fire, an exuberance, and a three-dimensional uniqueness that ensures the viewer never sways from her side.

It gives you two choices: find it delightful or don't: there is no unique, self-guided option. As frustrating as that conundrum may be, it's still hard not to take option one.

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Source: http://www.rottentomatoes.com/m/frances_ha_2013/

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